I would prefer not to

vintagegal:

You needn’t take it any further, sir. You’ve proved to me that all this ultraviolence and killing is wrong, wrong, and terribly wrong. I’ve learned me lesson, sir. I’ve seen now what I’ve never seen before. I’m cured! Praise god!

A Clockwork Orange (1971)

red-lipstick:

Santiago Ydáñez  (b. 1969, Jaèn, Spain) - Untitled, 2006     Drawings: Charcoal on Paper

red-lipstick:

Santiago Ydáñez  (b. 1969, Jaèn, Spain) - Untitled, 2006     Drawings: Charcoal on Paper

codelirarte:

Si no me escribo soy una ausencia.
Alejandra Pizarnik. Diarios. 12 de marzo 1965

codelirarte:

Si no me escribo soy una ausencia.

Alejandra Pizarnik. Diarios. 12 de marzo 1965

malevichkazimir:

Kazimir Malevich, Woodcutter, pencil on paper, 1913

malevichkazimir:

Kazimir Malevich, Woodcutter, pencil on paper, 1913

sammyslabbinck:

' Front row seats '
Collage on paper
© Sammy Slabbinck 2014
portfolio / flickr / shop / facebook/  S6

sammyslabbinck:

' Front row seats '

Collage on paper

© Sammy Slabbinck 2014

portfolio / flickr / shop / facebook/ S6


"Why do we feel it’s necessary to yak about bullshit in order to be comfortable?"
Pulp Fiction (1994) dir. Quentin Tarantino

"Why do we feel it’s necessary to yak about bullshit in order to be comfortable?"

Pulp Fiction (1994) dir. Quentin Tarantino


Dali and models (ca.1974)  by Pompeo Posar 

Dali and models (ca.1974)  by Pompeo Posar